Natural Light Making Portraits
Natural light portraits are honestly one of my favourites, they have this extra feel that studio portraits don’t. Compared to studio portraits, they are much easier – you don’t need to learn all the lighting techniques. They are also much cheaper, you don’t need to buy any strobes, flashes, or light modifiers such as soft boxes beauty dishes. Studio portraits are really fun but they are much more difficult than doing natural light portraits.
Starting off, making portraits with natural light is a first great step. It will enable you to work on your composition, your communication with your model, and help you build your confidence. Then you can decide whether or not you want to invest in studio equipment.
Camera gear and settings
There are some simple tips and tricks to get the most out of your portraits with natural light. But let’s start with camera settings and camera gear first.
Shoot in manual mode
The ideal situation is to have total control over your settings, so I would highly recommend using manual mode. I recently wrote an article about using manual mode, so you can go check it out here; How to Use Manual Mode to Make Artistic Choices for Your Photography.
You need a minimum shutter speed of around 1/100th of a second (or faster). This is very important as it helps you avoid blurry images as your model will be in constant movement most of the time.
Aperture and blurring the background
To get a soft background blur, you want to use the largest aperture possible – around f/4 works but the ideal would be f/1.8. If you want a larger aperture than f/1.8 the lenses can become quite pricey.
If you don’t have that kind of lens, you can still get nice results but separation (space) between the model and the background is needed. This really helps to drag the viewer’s attention to the model and avoid any unnecessary distractions. If you want to show the background behind your model then use a smaller aperture. I have an article on how to achieve background blur, I speak about bokeh in more detail there.
ore detail there.
What lens to use For Portraits In Natural Light?
If you are using a long (telephoto) lens then a large aperture isn’t as critical because you will automatically have some background blur separation. Long lenses are the best for portraits because they compress the subject to background very nicely. Avoid wide angles lenses because they distort the subject’s face and amplify features like the nose or the forehead. Try to use lenses with a minimum focal length of 50mm with a full-frame sensor and 35 mm with an APS cropped sensor.
For the ISO, choose the lowest possible option taking in consideration that your shutter speed must be 1/100th of a second or higher. Using the light meter in your camera, you can get a fast shutter speed by adjusting your ISO if the lighting conditions are low. But, knowing that you will be using a larger aperture as well, that shouldn’t be a big problem.
Shortcut – Aperture Priority Mode
One tip I can give is to use Aperture Priority mode if you are a lazy photographer (or smart?) like me. During an outdoor shoot, the light will change frequently and you will need to adjust your settings whether it’s the shutter speed or the ISO (I usually never adjust my aperture).
When you are making portraits, you will get into the shoot very quickly and with manual mode you need to constantly change your settings. The probability of missing a lot of good photos because you forgot to adjust your settings is very high. It’s very frustrating when you get the perfect pose only to realize the image is way too dark or way too bright because your settings were wrong.
I gave up on manual mode because I always forgot, so I now only use Aperture Priority and raise my ISO to 400 to force my camera to use a fast shutter speed. Don’t make the mistake of using ISO 100 in Aperture Priority with low light and ending up getting blurry images.
Use RAW files and underexpose
I recommend shooting RAW and underexpose your images slighting using exposure compensation.
This is very important because sometimes you will accidentally expose for the shadows and that will automatically overexpose your images. The problem with that is that you will lose all the information in the model’s skin tone and if those areas area burned you may not be able to recover detail there.
A RAW file also lowers the probability of losing any information in your image because you have a bigger margin of recovery. Since you are underexposing your images slightly, you will be able to correct the exposure later in post-production. It’s a bit technical but this is the best way to have all the necessary information in your image, burned-out pixels are the worst enemy a portrait photographer can have.
Another solution is to turn on the highlight alert for your camera (most entry-level cameras have this setting) and every time you take an image, the burned-out pixels (clipped highlight areas) will show up in red (or blink). This is very useful because every time you see this it means that there is no information in that area, it’s just a pure white point which is not recoverable.
Location and Natural Light conditions
One thing you must avoid is taking portraits with harsh light (during the day and facing the sun). This increases the features of the face (emphasizing any blemishes and flaws) with harsh shadows and the result is not flattering. One tip I can give you to help you determine if you will have good light for a portrait is to look at the shadows (on the ground) of people passing by in the streets. If the shadow is very harsh (strong outline), you will probably not get good light but if the shadow is very soft (fuzzy or undefined) then the light is perfect for making portraits.
One main aspect of natural light portraits is soft light. There are five different possibilities to get beautiful soft light on your model’s face.
Natural Light options
Use window light, it will give you a very nice soft light on your model’s face.
Take portraits during sunset, you will have the softest light possible.
Take portraits on an overcast day, the sky will become a huge softbox with very soft light.
Take portraits on a street where buildings or apartments are blocking the sun (like an alleyway).
Use a light diffuser in the middle of the day, this will turn harsh light into soft light.
The location doesn’t really matter because most of the time the background will be blurred, but the light is crucial so overtime you want to take a portrait make sure to have one of these different possibilities.